Tickets price: 120 PLN
7:00 p.m. Yarosh Organ Trio feat. Dominik Wania
Przemysław Jarosz – drums
Tomasz Pruchnicki – saxophones
Kajetan Galas – Hammond organ
Dominik Wania – piano
photo credit: Tomasz Kowalczuk
A trio featuring drummer Przemyslaw Jarosz, who invited Tomasz Pruchnicki (saxophone) and Kajetan Galas (Hammond organ) to collaborate on new music – this has resulted in the recent collaboration with outstanding pianist Dominik Wania and a new album, which was released in spring 2021. The Yarosh Organ Trio’s new repertoire is a collection of eight compositions revolving around the Progressive Synthesis triptych. The three contrasting parts offer a free discussion around the topics presented in the first seconds of the first part. The piano part, recorded by Dominik Wania, is a fully integral part of the trio, which allows the band to maintain the distinctive sound it has been working on for several years. Free improvisations, loose song forms and a full range of colours and shades are just some of the features of the band’s new repertoire.
Dominik Wania — two-time laureate of the 2014 Fryderyk Awards (Jazz Music – Album of the Year (Ravel) and Jazz Music – Debut of the Year). He studied at the Department of Jazz of the New England Conservatory in Boston and performed with many prominent jazz musicians, including Tomasz Stańko, Leszek Możdżer and Marcus Miller. For several years now, Dominik Wania has been recording new albums for ECM Records, both as a member of Maciej Obara’s quartet and as a solo artist, releasing Lonely Shadows in the fall of 2020.
Kenny Barron Solo Piano
photo credit: Fran Kaufmann
Kenny Barron’s unmatched ability to mesmerize audiences with his elegant playing, sensitive melodies and infectious rhythms is what inspired the Los Angeles Times to name him “one of the top Jazz pianists in the world” and Jazz Weekly to call him “The most lyrical piano player of our time”.
Philadelphia is the birthplace of many great musicians, including one of the undisputed masters of Jazz piano: Kenny Barron. Kenny was born there in 1943 and while a teenager, started playing professionally with Mel Melvin’s orchestra. This local band also featured the late tenor saxophonist Bill Barron, Kenny’s brother By 1959 Kenny had worked with drummer Philly Joe Jones while still in high school. At age 19, he moved to New York City and freelanced with Roy Haynes, Lee Morgan and James Moody after the tenor saxophonist heard him play at the Five Spot. Upon Moody’s recommendation, Dizzy Gillespie hired Barron in 1962 without even hearing him play a note. It was in Dizzy’s band where Kenny developed an appreciation for Latin and Caribbean rhythms. After five years with Dizzy, Barron played with Freddie Hubbard, Stanley Turrentine, Milt Jackson and Buddy Rich. The early seventies found Kenny working with Yusef Lateef, who Kenny credits as a key influence in his art for improvisation. Encouraged by Lateef to pursue a college education, Barron balanced touring with studies and earned his B.A. in Music from Empire State College, By 1973 Kenny joined the faculty at Rutgers University as professor of music. He held this tenure until 2000, mentoring many of today’s young talents including David Sanchez, Terence Blanchard and Regina Bell. In 1974 Kenny recorded his first album as a leader for the Muse label, entitled Sunset To Dawn. This was to be the first in over 40 recordings (and still counting!) as a leader.
Following stints with Ron Carter in the late seventies, Kenny formed a trio with Buster Williams and Ben Riley, which also worked alongside of Eddie Lockjaw Davis, Eddie Harris, Sonny Stitt and Harry Sweets Edison. Throughout the 80’s Barron collaborated with the great tenor saxophonist Stan Getz, touring with his quartet and recording several legendary albums including Anniversary, Serenity and the Grammy nominated duet People Time Also during the 80’s, he cofounded the quartet SPHERE, along with Buster Williams, Ben Riley and Charlie Rouse. This band focused on the music of Thelonious Monk and original compositions inspired by him. SPHERE recorded several outstanding projects for the Polygram label, among them Four For All and Bird Songs. He has played in solo, duo, quartet and quintet formats but for the last 40 years he has always kept a steady trio, first with Ray Drummond and Ben Riley and, for the last two decades, with Kiyoshi Kitagawa and Johnathan Blake. His most recent project, to be presented in 2023 to celebrate his 80th birthday is “Kenny Barron with Strings”, featuring a 30-piece orchestra. But, no matter the format, Kenny Barron is recognized the world over as a master of performance and composition.
Barron consistently wins the Jazz critics and readers polls, including Downbeat, Jazz Times and Jazziz magazines. He is a six-time recipient of Best Pianist by the Jazz Journalists Association. In 2005 he was inducted into the American Jazz Hall of Fame and won a MAC Lifetime Achievement Award. In 2009 he received the Living Legacy Award from Mid-Atlantic Arts Foundation. Honored by The National Endowment for the Arts as a 2010 Jazz Master, Kenny received Honorary Doctorates from Berklee College of Music in 2011 and from SUNY Empire State College in 2013. Most recently, the San Javier (Spain) Jazz Festival gave Kenny the 2022 Gran Premio for “Lifetime Contributions” to Music.
Kenny Barron’s own recordings have earned him twelve Grammy nominations, beginning in 1992 with People Time, followed by the Brazilian-influenced Sambao and Freefall in 2002. Other Grammy nominations went to Spirit Song, Night and the City (a duet recording with Charlie Haden) and Wanton Spirit, a trio recording with Roy Haynes and Haden. It is important to note that these three recordings each received double-Grammy nominations (for album and solo performance.) His CD Canta Brasil (Universal France) linked Barron with Trio da Paz in a fest of original Brazilian Jazz and was named “Critics Choice Top Ten CDs of 2003” by JazzIz Magazine. His 2004 release Images (Universal France) was inspired by a suite originally commissioned by The Wharton Center at Michigan State University and features multiGrammy nominated vibraphonist Stefon Harris. The Perfect Set, Live At Bradley’s, Part Two (Universal France/Sunnyside) was released October 2005: it was a long awaited trio sequel to Live at Bradley’s, a recording featuring Ray Drummond and Ben Riley, originally published by Sunnyside Records in 2001.
In 2008 Kenny released The Traveler (Universal France), an intoxicating mix of favorite Barron tunes set to lyrics and newly penned compositions. In a first for the noted pianist, he is joined by vocalists Grady Tate, Ann Hampton Callaway and Gretchen Parlato.
2010 saw the release of Minor Blues on Venus records, a trio recording with George Mraz and Ben Riley. Kenny Barron & the Brazilian Knights, a collaboration with Brazilian musicians, was published by Universal in 2013.
After several musical encounters with bassist Dave Holland, the two masters decided to collaborate on a duet project, released on Impulse/Universal records in 2014 as The Art of Conversation, and followed by three extremely successful European tours.
In June 2015, and under the guidance of Jean-Philippe Allard, Barron recruited his longstanding (over ten years!) current trio mates – bassist Kiyoshi Kitagawa and drummer Johnathan Blake – for a two-day New York recording session, which resulted in the new CD The Book of intuition, released by Impulse! Records in March 2016.
Kenny released Concentric Circles in 2018. His first quintet session in many years, featuring his regular rhythm section plus tenor saxophonist Dayna Stephens and trumpet player Mike Rodriguez. The record was recognized as a masterpiece by critics and fans alike and won the French Jazz Academy Award to the best recording of 2018.
In 2019 Swiss producer Jacques Muyal issued The Art of Piano Duo, a compilation of “live” recordings of concerts by Kenny and his old, untimely deceased friend Mulgrew Miller in the early 2000’s.
A second recording encounter with Dave Holland, this time in a trio format featuring Johnathan Blake, took place in 2020 and resulted in Without Deception, released during the pandemic and acclaimed as a new masterpiece by the two NEA Jazz masters.
The new solo-piano recording by Barron, The Source was released in 2023.